Let’s Listen Then In Conversation with Shabnam Virmani

One could attempt to describe Ela Bhatt with adjectives: soft-spoken, tenacious, compassionate, dedicated, principled, self-effacing. Or one could use nouns: lawyer, labor-leader, social activist, banker, author, philanthropist. But all these words together still do not comprehensively encompass her visionary foresight, her inexhaustible energy, her unbending strength of purpose, and her unswerving commitment to the humane.

The Movie The Matrix, released in 1999, and its two sequels (Reloaded and Revolutions), released in 2003, have together been an international phenomena. The first movie in particular, was known as a modern version of Plato’s Myth of the Cave, and the two subsequent parts are of the same universe – the real world and the cave – although further away from Plato’s text. When The Matrix Revolutions was released, it seemed that the dice were rolled. A cycle was complete, and the sun was rising on a world where the cards had been dealt and the rules had apparently changed.

In five years Tasneem Zakaria Mehta revitalized a decayed and dying museum, transforming it into a vital and accessible cultural focal point for Mumbai. As vice-chairman of the Indian National Trust for Art and Cultural Heritage (INTACH) and Honorary Director of the Dr. Bhau Daji Lad (BDL) Museum, Tasneem spearheaded the exhaustive research and the painstakingly detailed restoration of the museum’s architecture, its interiors and its exhibits. In recognition of her work, she earned the 2005 Unesco Heritage Asia Pacific award of Excellence for Conservation. At her home surrounded by art, sculptures and books that are her life-blood, Tasneem spoke to The Acropolitan about the importance of Art and the need to preserve our cultural heritage.

Recently, in the United States, the Governor of Georgia asked the state legislature to pass a law requiring that a classical CD be sent to every new mother. Although this bill did not pass, it received a great deal of attention. The unusual request was prompted by exciting new research in the fields of neuroscience and cognitive science regarding the effects of classical music on intelligence and learning.

If it were kosher to have a favorite philosopher, Lao Tzu would be the favorite of many. His teachings and aphorisms are intriguingly contemporary and personal. We live in times where even ethical behavior is characterized by moral outrage rather than moral values. Although people claim intellectual expertise on solving the problems of the world, solutions continue to evade us, in the absence of an ability to reflect and take responsibility through self-understanding. In such times, a man who simply states: “Respect for ourselves guides our morals; respect for others, our manners”, is priceless in his worth.

Many ancient traditions unequivocally describe the role of sound in the divine process of creation. The Bible declares, “In the beginning was the Word and the Word was with God and the Word was God”. (1) Hindu and Buddhist traditions believe that OM is the sound of creation, of the unmanifest diversifying into all the variations of energy that make up our universe.

In 2010, Shri Lakshmanan Gurukkal founded Kalarigram, near Auroville, as a traditional Kalaripayattu training center, that conducts classes and workshops in the intersecting disciplines of Kalaripayattu, Ayurveda, Yoga and Meditation.

The quality of a civilisation’s culture is most visible in its art and more particularly in its architectural accomplishments, for these are usually its most complex and long-lasting forms. It’s hard to conceive of a more awe-inspiring architecture than that found in ancient Egypt. The essence and message of Egyptian architecture remained unaltered throughout the millennia, while its majestic and aesthetic style still manages to convey forgotten psychological and spiritual truths.

“When the soul hears music, it drops its best guard.” – Socrates

Music is perhaps the most philosophically puzzling of all the arts. Unlike painting or sculpture it does not culminate in a physical object. Unlike literature and drama, instrumental music has no semantic value. Yet every tune, melody, theme, raga or symphony is steeped in metaphysical meaning.

Music has a tremendous ability to evoke emotion – joy, sadness, exhilaration, reverence, courage, patriotism et al. Its power to heal has been irrefutably documented, and music can be one of the most effective entrance points to meditative and sacred experiences. Cicero claimed that music could return man to paradise lost and that it was a communion with Divine Truth.

The year is 1936. The Olympic Games in Munich are underway and Adolf Hitler, Chancellor of Germany, publicly comments, “The sportive, knightly battle awakens the best human characteristics. It doesn’t separate, but unites, the combatants in understanding and respect.

Dance is a universal language that transcends geography and time; it is a means to express sentiments that cannot be captured in words. Although forms of dance differ across cultures, the aspiration of a true dancer always seems to remain the same – to assimilate and internalize principles of beauty, harmony and grace through movement and form, thereby escorting the audience to experience and discover these very same archetypes that lie latent within each individual.

Adam Williamson is an award-winning calligrapher and sculptor whose permanent public works can be viewed around the U.K. He is drawn to particular shapes and patterns that embody universal principles found in nature, made visible through the hands of craftsmen. Adam has been commissioned by many prestigious clients including Oxford University, Shakespeare’s Globe London, Westminster Abbey, to name just a few, and has given numerous public lectures and workshops at leading cultural institutions all over the world.

In this article, I seek not to publish a scholastic investigation of Warli Art. Instead, as a philosopher studying symbolism, I humbly share my observations of a few elements from its unique tradition in which the artists seem to have been preoccupied, not with mythology, but with the strong drive to align to Nature’s order, by celebrating life and revering Mother Earth, through a unique sense of aesthetics.

Today, people throughout the world are perturbed by the degradation of the environment and the disastrous consequences of the loss of resources in the hands of an ever growing population. In such times, traditional ethics, which contained nature conservation

As the architect of a non-violent civil disobedience movement that led to the independence of a nation, Mohandas Karamchand Gandhi has been hailed as a spirited activist, a courageous freedom fighter, and an astute politician. For his own deeply ascetic lifestyle, uncompromising ethical code, and strict adherence to human values, he won the veneration of masses, a devotion usually reserved for saints, indeed even the title of a Mahatma. His profound influence on world leaders like Nelson Mandela and Martin Luther King can be said to have changed the course of history.

On 30th October 2021, New Acropolis Culture Circle hosted renowned architect Balkrishna Vithaldas Doshi, sharing his life experiences in a talk titled ‘A Lifetime of Architecture’.  Charting out his early years of learning and practice in the field, he spoke passionately about understanding architecture as a living and ever-evolving concept. “It’s about living, and not just living, but living together, about how communities and societies can grow and become one.”, he explained. Mr. Doshi was born in Pune, he studied at JJ School of Architecture Mumbai, and moved to London and Paris to study under the famous architect Le Corbusier. Later in Ahmedabad, he worked with Louis Kahn. He has founded and taught at various institutions of planning and architecture like the School of Architecture & CEPT in Ahmedabad. Some of his renowned works are IIM Bangalore, CEPT University, Aranya housing project in Indore, ‘Amdavad ni Gufa’ which houses the late artist MF Husain’s paintings, along with Mr. Doshi’s own workplace ‘Sangath’, which is also a public space.