Re-examining Corporate India’s Social Responsibility: In Conversation with Padma Shri Anu Aga

Amish Tripathi is the prolific author of the hugely successful Shiva Trilogy, the Ramachandra series and a nonfiction book Immortal India. His work has been recognized by numerous literary awards, and publishing benchmarks; the Shiva Trilogy is the highest selling book series in Indian publishing history. Amish, who goes by his first name only, seeks to be judged by his own karma, rather than that of his antecedents.

His books are steeped in familiar mythology, replete with symbolism, but with an emphasis on philosophy and a message that is surprisingly modern and liberal in its attitude towards gender, equality, and socio-politics.

“There are decades where nothing happens – and there are weeks where decades happen.” This Lenin quote might sum up how many of us feel regarding the events of 2020. Not that nothing happened before – in my view the last few decades contained quite a lot of events on a mega scale – but the changes triggered by COVID-19 have been unprecedented. As some countries are gradually coming out of complete lockdown, the paramount question is: where do we go from here?

In many ways, the last decade can be considered a decade of protests – starting with the Arab Spring in 2010 and the Occupy Wallstreet Movement soon after, to the still ongoing clashes on the streets of Hong Kong, Venezuela’s uprising against its leadership and the widespread protests against India’s Citizenship Amendment Act, to name only a few that have occurred within the last year itself. As the number of demonstrations increased almost to a state of permanent protest in some part of the world, what is noteworthy is that several of these protests witnessed equally passionate demonstrators on both sides, often leading to anger and violent clashes.

Human Beings have a natural need to improve and grow. Certain moments in our lives are decisive where we feel we made a breakthrough and in hindsight we may recognize the inspiration and experiences that guided us in those moments. Often we find that in such moments we are more goal-oriented and focussed, thereby able to make accurate decisions and push our boundaries

For centuries art has been a natural means to express one’s inner journey – be it as a community or as an individual search. So has it been for Olivia Fraser, who has used her art to uplift, to produce wonder and beauty, and to find the ‘inner essence’ of things.

Olivia Fraser moved to India in 1989. Initially she was a travel painter before apprenticing with miniature and Pichwai artists from Jaipur, where she learnt their rich, rigorous and intricate tradition. The influence of Nathdwara Pichwai painting and early 19th century Jodhpuri painting,

One of the most astounding things about ancient civilizations is the unity of their way of life. In the Art Institute of Chicago, for example, there is a beautiful stele from the Mayan ruins of Calakmul in Mexico. This stele presents a ruler in his task as a high priest, dressed in ceremonial garbs, holding ritual objects and clearly executing an important ritual. The ritual in question, we believe, is related to the closing of a ten-year cycle in the Mayan calendar, which was measured to such preciseness, that today we can determine the exact date of the ritual. This stele, therefore, is artistic in its presentation, religious in its significance, political in its authority and scientific in its measurements.

As a street photographer I have the opportunity to travel worldwide, to present exhibitions, to present various photography workshops, and of course to take new photographs.

From those travels there is a photograph I have always presented in my last few workshops. I use it to illustrate a “dynamic composition”, which is a composition with a lot of visual elements, allowing a dynamic lecture of the photograph. This particular photograph is not an outstanding example of such a composition, but I use it to explain an ethical concept, and to initiate a dialog with the workshop participants about whether or not it is necessary for the photographer to be involved in a situation

The year is 1936. The Olympic Games in Munich are underway and Adolf Hitler, Chancellor of Germany, publicly comments, “The sportive, knightly battle awakens the best human characteristics. It doesn’t separate, but unites, the combatants in understanding and respect.

During their grueling journey across the Himalayas, Tibetan refugees carried hundreds of manuscripts into India, often guarding them with their lives. Many of these precious texts were offered to His Holiness the Dalai Lama, who founded the Library of Tibetan Works and Archives in Dharamsala (India)

Ramaa Bharadvaj is a celebrated dancer, choreographer, storyteller, educator, writer and arts-curator. She has lived and worked in the US for 32 years, where she was the recipient of numerous prestigious awards for choreography, as well as for her exemplary contribution to the Arts in California. She has served on the boards of both state and national arts agencies and has been a visiting faculty member of various reputed universities, while her essays and cultural commentaries have been published by leading publications.

We tend to use the term ‘grappling’, at times, to describe a certain struggle to fight, control, or deal with conflicts and challenges in life. Interestingly, this is a technical word originally used in the martial art form of wrestling, which involves grappling holds, throws, takedowns, joint locks and pins.

Imagine a child. Does your face light up with a smile and your mind with images of carefree laughter, innocence and abundant energy? Now, look at a child, look into his eyes. Do you not see life waiting to express itself? A child embodies human potential waiting to burst through and manifest itself in its uniqueness.

Adam Williamson is an award-winning calligrapher and sculptor whose permanent public works can be viewed around the U.K. He is drawn to particular shapes and patterns that embody universal principles found in nature, made visible through the hands of craftsmen. Adam has been commissioned by many prestigious clients including Oxford University, Shakespeare’s Globe London, Westminster Abbey, to name just a few, and has given numerous public lectures and workshops at leading cultural institutions all over the world.

New Acropolis invited educationist and environmentalist Sonam Wangchuk for a conversation about his work in Ladakh, to shed light on what drives his choices and actions. Sonam is the person that inspired the protagonist Phunsuk Wangdu in Chetan Bhagat’s, 3 Idiots. His life and work truly reflect that of a philosopher; someone driven by the needs of others, over his own.

New Acropolis is an international organisation that promotes an ideal of timeless values. Its aim is to contribute to the development of individuals and societies through its work in the fields of philosophy, culture and volunteering. New Acropolis is present in over 50 countries across the five continents and has more than 400 centres worldwide.

Its action in the world is based on three founding ideals:

The ideal of universal fraternity, promoting respect for human dignity, beyond any differences of gender, culture, religion or social background.

The ideal of knowledge, encouraging the love of wisdom through the comparative study of philosophies, religions, sciences and arts.

The ideal of development, enabling each human being to realize their best qualities and values, as a solid basis for a better world.

The president of New Acropolis, Carlos Adelantado, explains how these shared ideals can be achieved.