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The word ‘Permaculture’ was coined by Bill Mollison and David Holmgren in the 1970s to refer to the “consciously designed landscapes which mimic the patterns and relationships in nature, while yielding an abundance of food, fibre and energy for provision of local needs” [1]. What began as an ecological movement towards ‘Permanent Agriculture’, over time, evolved into something far more holistic and all encompassing; a set of principles and values of what it means to be conscious, contributing human beings and reviving a way of living that aims to develop interdependence and personal responsibility in every sphere of life.
Those who love baking know the joy of seeing coarse ingredients come together to give birth to a cake. I am a baker by profession and absolutely love baking. Every time I put a tray of cupcakes to bake, I find myself staring into the oven to catch a glimpse of their gradual metamorphosis. I love to see them rise and wait to be the first one to catch their delicious fragrance. I am a hopeless addict; often baking cakes, brownies, and cookies, even when I don’t have orders to dispatch. The simple pleasure of sitting at a table, enjoying cake and coffee, to talk to a friend about how the day was, evokes within me the joy of having spread some love in my own small way.
The following piece is my humble investigation into my fear of death; the fear of my own (impending) death and also the fear of the eventual death of a loved one. This journey began 8 years ago with my mother’s sudden death. It has been insightful that while processing my grief some years down the line, a psychotherapist helped me conclude, that the trauma resulting from a loved one’s death, can actually embed itself in hypochondriac behaviour.
Perhaps no other civilization captures the imagination of intellectuals and dilettantes alike, as does Ancient Egypt. Arguably one of the earliest, longest lasting and most influential civilizations of history, it is recognized for its stupendous artistic, scientific, social, and spiritual achievements. In this slim volume Livraga gives us a penetrating and reflective insight into Ancient Egypt, its highly developed culture, its enigmatic symbols and its sacred philosophy.
The brief time that I recently spent in Peru’s southern Amazon Forest, really opened my heart to the beauty and infinite wisdom that nature has to offer. The potent combination of heat and humidity makes the Amazon the largest rainforest on Earth, with over four hundred billion trees, 16000 different species, growing in the region1. The unpredictable murky river, and the dense tree cover that envelopes the jungle renders the forest floor almost completely dark. It gave me the impression that beyond the obvious abundance of life, the unique biosphere contained deep mysteries, revealed only to the traveler willing to embark on an inward journey.
Why is hope so important? It comes from the Latin verb ‘sperare’ which has multiple meanings: to hope, to prosper, to thrive; implying that if a person is hopeful, there is a possibility of living and thriving and moving towards abundance.
The rainbow is an enduring symbol of hope in many cultures; the Bible tells us that God sent one to Noah after the flood to signify the end of the flood, as a promise of new beginnings;
The Movie The Matrix, released in 1999, and its two sequels (Reloaded and Revolutions), released in 2003, have together been an international phenomena. The first movie in particular, was known as a modern version of Plato’s Myth of the Cave, and the two subsequent parts are of the same universe – the real world and the cave – although further away from Plato’s text. When The Matrix Revolutions was released, it seemed that the dice were rolled. A cycle was complete, and the sun was rising on a world where the cards had been dealt and the rules had apparently changed.
If you have visited Stonehenge on the Salisbury plains of England, perhaps you sensed a powerful feeling of mystery, of something hard to define. To the eye they are a series of immense standing stones set in circles. But rather, “Stonehenge is a symbol of Albion, the ancient wisdom of Britain and of different cultural values from a vanished time” writes Archaeoastronomer Robin Heath.
When we look around our world today we see an evident change in the last 50 years. Since the post-war reconstruction era that drove mass industrialisation and development of the economies of Western Europe and America, the focus has gradually shifted to developing economies and the flow of wealth has started reaching the shores of lesser developed nations
The word Samurai originally meant ‘those who serve’, although individuals of this elite warrior class in medieval Japan were also referred to as Bushi, or warrior. And Bushido was the code of morality which the Samurai were meant to follow, not just in battle, but also in day-to-day activity. Speaking of this code in his book Bushido: The Soul of Japan, which is widely considered to be an authority on the subject, Nitobe says that it was not written down anywhere, but had organically formed over centuries.
Just as an artist uses shadows to create depth in a painting, let us look at the challenges that life brings us as shadows that help us develop strength and a deeper understanding of the meaning of life. Like the shadows bring out the contours and highlights in a painting, the obstacles we face in life sculpt our character and reveal our resilience
From an esoteric point of view, a ritual is dependent on the existence of the invisible dimension. This invisible dimension consists of a spiritual-mental aspect, which is the domain of the archetypes or ‘living idea-beings’ spoken of by the Platonists; and an ‘astral’ aspect, which is an intermediate world between spirit and matter, just as imagination is the link between the world of ideas and the physical world. In this view of things, the invisible world exists, the material world reflects. The visible is the shadow of the invisible.
For millennia, specific locations around the world have been regarded with fascination and sacredness. Despite all the materialistic opulence and grandeur of some of the most recent human architectural achievements, there remains something awe inspiring about many ancient structures that have stood their ground for thousands of years. For many, even the most grandiose five-star properties of Dubai look pale when compared to the magnificence of the Angkor Wat Temple Complex in Cambodia for instance.
Adam Williamson is an award-winning calligrapher and sculptor whose permanent public works can be viewed around the U.K. He is drawn to particular shapes and patterns that embody universal principles found in nature, made visible through the hands of craftsmen. Adam has been commissioned by many prestigious clients including Oxford University, Shakespeare’s Globe London, Westminster Abbey, to name just a few, and has given numerous public lectures and workshops at leading cultural institutions all over the world.
The Japanese poetic form of haiku, is a very succinct poem that exemplifies simplicity. It is one of the most recognizable and popular forms of poetry today and has travelled far beyond Japan’s shores, with writers composing haiku in Spanish, English and even Bengali as seen in the works of Nobel laureate Rabindranath Tagore. It originally developed out of a highly formal, collaborative verse called renga, popular at middle class gatherings in the 7th century. (1) The starting verse of renga,