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Miti Desai is the founder and creative head of Miti Design Lab. A designer and classical dancer, Miti teaches as a visiting faculty at the Srishti School of Art, Design & Technology (Bengaluru) and at Sophia Polytechnic (Mumbai), and has personally created and executed courses initiating children into Holistic Design, Aesthetics and Culture through the performing arts.
Modern-day living seems to center around finding as much comfort in life as possible and aspiring for some growth, usually material. As a result, we are facing the great challenge of seeing our planet’s resources declining, and a general concern about our survival on earth. The fact that ecological activism is on the rise is encouraging, but also underlines that something very wrong is happening and needs to be rectified. Though, we recognize the need to be more aligned to nature, our lifestyles are not in accord with this idea. Probably, for many of us, what it means to live in harmony with nature has become a foreign concept
“It’s lonely at the top,” said a school-friend in jest on the eve of a school election for which I was nominated. And although I do not know to whom this tidbit of wisdom is attributed, I have often contemplated the truth behind these words.
In aspiring for the post or role of a leader, some may seek the prestige and authority which follow. The main work therefore seems to be, to make a favorable impression on those that are considering their candidature. Since there are probably others vying for the same position, a competition ensues, a race in which each one needs to outshine the other.
The sunrise, or sunset of course, doesn’t care if we watch it or not. It will keep on being beautiful, whether we look at it, recognize it, or not. It follows that there exists in this world an eternal objective principle which we call Beauty, independent of us.
At some points in our lives, many of us face some nagging questions. What manifests is a sense of restlessness, a lack of real happiness and peace – despite the absence of any apparent reason for feeling so. Questions like, Am I doing what I should be doing? Do my actions have any meaning or purpose at all? What is my purpose?
How would you respond if at such moments, you got a direction like: “That which you seek is seeking you.” (1) Or if you hear with a transcendent clarity: “My soul is from elsewhere, I’m sure of that, and I intend to end up there.” (1) Would you not be inspired to pursue an investigation: What could be seeking me? Where has my soul come from? What direction takes me back to where I came from?
In this article, I seek not to publish a scholastic investigation of Warli Art. Instead, as a philosopher studying symbolism, I humbly share my observations of a few elements from its unique tradition in which the artists seem to have been preoccupied, not with mythology, but with the strong drive to align to Nature’s order, by celebrating life and revering Mother Earth, through a unique sense of aesthetics.
Today, people throughout the world are perturbed by the degradation of the environment and the disastrous consequences of the loss of resources in the hands of an ever growing population. In such times, traditional ethics, which contained nature conservation
The Japanese poetic form of haiku, is a very succinct poem that exemplifies simplicity. It is one of the most recognizable and popular forms of poetry today and has travelled far beyond Japan’s shores, with writers composing haiku in Spanish, English and even Bengali as seen in the works of Nobel laureate Rabindranath Tagore. It originally developed out of a highly formal, collaborative verse called renga, popular at middle class gatherings in the 7th century. (1) The starting verse of renga,
Many ancient traditions tell a story of an immense flood that destroyed a civilization that existed thousands of years ago; one that was perhaps far more technologically and spiritually advanced than we are today. Amongst them, Plato speaks of a vast continent called Atlantis that sank into the ocean. Although modern historians have found meagre evidence to corroborate this, too many traditions around the world explicitly, or obliquely, refer to this cataclysm to ignore it completely.
In recent months I have found myself walking between the light and darkness, on the seam line of the mysteries of life. People, both close and more distant, have passed away in circumstances that for some was a release from great suffering, while others caught me by surprise … And death, as always, is as real as life itself. It is hard to escape or hide from it. It knocks on your door and stands in front of you; steady, terminal and clear. And you can do nothing but deal with it.
She feels that she didn’t ‘choose Dhrupad’, rather she organically got drawn to an ecosystem where the ideal teacher and music were present. The meaning of taleem, for her, is a unique exchange, which is not just training but rather a process of giving and receiving.
As I began to reflect on how our way of living had changed literally overnight when the lockdown was announced in Mumbai, I realised that like most people, I went through various stages of emotions, doubts, and concerns. There were moments of uncertainty, and confusion about the future, the health of loved ones, the suffering around the planet, and concern about the outlook of our family business, our employees… However, early on I was able to distance myself from this constant noise; the diverse opinions and criticism about how the situation should be handled, the influx of information, the endless WhatsApp forwards, and the general sense of panic that I noticed around me.
All the greatest spiritual teachers have spoken about the need for man to awaken, to pursue a shift of consciousness. Krishna, Buddha, Jesus, Plato all offered a clear, discernible path of spiritual growth towards a more meaningful life, which begins by recognizing and operating from a higher aspect within us, separate from our personality which is controlled by prejudices, fears, subjective emotions and egoistic thoughts. Beyond the religious customs that subsequently developed, these ancient traditions speak of Discipleship; an ardent and persevering path of constant self-development which illuminates man’s potential. Likewise, emerging from the ancient tradition of the Indian sub-continent, Yoga, if understood in entirety, also offers a discipular path leading to self-knowledge, transmutation and truth.
There are many studies that show that involvement in the arts can lead to increased academic performance. Dance, drama, music, and the visual arts in the school curriculum enable children to develop self-confidence and self-understanding, problem solving skills, perseverance and discipline, focus and concentration, creativity, self-directed learning, collaboration…
Many of us wish to change the world. But how can it be done?
First of all, it is obvious we are not just seeking to change the world – the world is changing anyhow, regardless of what we do. The ancient philosophers wisely stated that the only permanent thing in the world is change.
In reality, it is not change we seek, it is a certain, positive, change – a diversion of the river’s flow, an orientation towards a brighter future for humanity.
Second, none of us by ourselves can really make a meaningful impact.
When we think of the word “myth”, we often associate it with something that is untrue; a superstition, or just a story. However, when looked at from a philosophical perspective, mythology forms a significant part of the human legacy and tradition, passed down from generation to generation, and used as a tool in the moral education of our young…