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In this article, I seek not to publish a scholastic investigation of Warli Art. Instead, as a philosopher studying symbolism, I humbly share my observations of a few elements from its unique tradition in which the artists seem to have been preoccupied, not with mythology, but with the strong drive to align to Nature’s order, by celebrating life and revering Mother Earth, through a unique sense of aesthetics.
Today, people throughout the world are perturbed by the degradation of the environment and the disastrous consequences of the loss of resources in the hands of an ever growing population. In such times, traditional ethics, which contained nature conservation
The word “unify” comes from the Latin unus and facere, “to make one”, that is, to bring together various different parts that are coherent with another, and combine them in such a way that we can achieve a harmonious and homogeneous unity. It is an act of coming closer together, of connection, which, if it did not exist, would mean that each of the parts or beings would follow different paths – something which is not wrong in itself – but it would cause them to be divided, disunited and opposed to one another. Without the gesture of unification, we would have to live in perpetual chaos, in which it would be very difficult to find meaning in existence and its changing circumstances.
This article serves only as an introduction to the legendary origins, metaphysical purpose, and the traditional form used in the practice of Qawwali. It would be impossible to capture the cultural nuances, complex history, and social impact of the genre in this brief work, but I hope to share some principal themes that have emerged from my own amateur investigation, to help the reader embark on their own exploration of this magnificent Sufi practice.
When I left home for college, there was a certain clarity with which I had my life planned out — my career, lifestyle, personal ambitions.
But by the time I graduated, I had far more questions than I had answers. Prompted by an insistent inner voice, I couldn’t help but wonder — is this really what life is all about? I started to question what I truly valued, what success meant to me, and how I could live a more meaningful life.
It was then that I chanced upon a flyer of a school of practical philosophy called New Acropolis.
The universe is a place of balance…Yin and Yang, night and day, summer and winter, masculine and feminine. A balance achieved by complementarity – the equal and opposite effect of dualistic entities. Yin is as essential as Yang, just as night is as essential as day; each has its role and function in the service of life as a whole. So too, the feminine is as essential as the masculine.
It is impossible to touch on certain mythical stories without touching the deepest strings of our souls.
The theogonic myths contain universal elements of the journey of the soul. They warn us about the dangers of this journey: about what enslaves the soul, takes it captive—all our vices, fears and weaknesses. They also tell us what elevates the soul and leads to its liberation—all our virtues. The myths contain the generous gifts that the gods offer us. All we have to do is learn to find them, recognize them and use them in our lives.
Like all mythology, that of illustrious King Arthur has endured the test of time, transmitting essential eternal values that serve to inspire human civilizations of all ages. From its tale, it is not always easy to demarcate between elements of documented history and magical folklore,
Few amongst us can deny a ubiquitous yearning for change – socially, politically, ecologically, spiritually and a myriad other dimensions. Unfortunately, this longing seldom manifests beyond vehemently voicing the already well-recognised need for change or deluging the social media space with our postulates of it. Real change, nevertheless, continues to elude us. Intimidated by the apparently enormous effort essential to effect change, we succumb to our instinctive resistance to change resigning to an endless array of excuses – resorting to blaming destiny, external circumstances, or political situations, among others.
Along with most of the world, we are in almost complete isolation, as a result of the rapid spread of COVID-19. The world seems to have stopped for a while and people, as well as organizations and governments, are uncertain about the near future.
The scene is somewhat surreal, giving an apocalyptic feeling towards what is yet to come. There are some who report a growing interest in ‘end-of-the-world’ literature, films, doomsday theories and alike. Even if the world is really far from heading to complete disaster, it is interesting to examine, as some have already done, the root of the word “apocalypse”.
Symbols hold a powerful attraction for people. Even today, in an age in which materialistic perspectives rule human thought, many ancient symbols such as the ankh, the yin/yang, American Indian designs, pyramids, and many other symbols are quite popular in jewelry and in the home. Why do symbols of the ancient civilizations continue to be an integral part our society, even to the point that corporations use them in commercials, movies, logos, in television documentaries, etc.?
In most ancient civilizations – like in an important number of faiths – we find the idea of reincarnation, the process that follows physical death. Modern occidental cultures consider death as the opposite of life, and in logical consequence reject death. Death is considered an aim , a disaster, and today most of us are afraid of death. In ancient times,
I recently had the opportunity to investigate my all-time favourite fairytale, Cinderella, in a new light. I realised that we can infact extract very practical principles to apply in our daily lives. But for this, we need to look at the story that we are so familiar with, through a new lens, leaving behind our preconceived notions for a moment. I began to slowly peel off layers, to attempt to read between the lines, and to grasp the symbolism deeply embedded in the characters and plot.
Born in Mumbai, trained in Moscow and London, Fali Pavri is the Associate Head of Keyboard and the Professor of Piano at the Royal Conservatoire, of Scotland. He joined a New Acropolis Culture Circle audience in Mumbai through a video conference call, from Glasgow, where he both spoke and played for us, passionately, from his heart. Here are excerpts from the insightful conversation…
“Who are you?” – This is a question I usually ask in one of my classes. Asking the same question ten times in a row, I nudge the participants gently to the realization that we all have more than one identity. Some people tend to identify at first with their name, nationality, gender, profession; others define themselves through their relationships (I am a mother, a friend) and some think of themselves first and foremost as human beings, a ‘soul’, a ‘force of energy’ or as seekers of wisdom. This exercise also makes us aware that beyond our multiple identities there is a mysterious ‘inner core’ or ‘essence’ that defies definition but shines through all our different identities. We are always ourselves, whether this be at work, with our family or on our own. In each environment we express different aspects of ourselves, but deep down we are still the same mysterious ‘centre of awareness’. In short, we are both one and many.
The word ‘chivalry’ comes from the French ‘chevalier’, which means ‘knight’ or ‘horseman’. Symbolically, the horse represents the body and its associated energies and emotions, while the rider represents the higher self of the human being, the best and noblest part of ourselves. The knight is not perfect, but is on a path towards perfection. Hence the trials that all knights go through. They sometimes fail, especially in the phase of the Quest of the Holy Grail, and sometimes they get another opportunity and then partially or wholly succeed. In the view of esoteric philosophy, the human being is perfectible; indeed, our destiny as human beings is to develop the divine part of ourselves.